On a bus moving across a rural landscape, from town to dusty town, two young people are escaping with their lives. She has committed a crime for which there will be retribution. He is staggering from a sudden loss. These two will find each other and attempt a new way forward. But the talons of the past have dug deep, and the wounds have not yet healed. Moving back and forth in time, from the fragile bonds of this new relationship to the lives they lived before, The Ones We Loved tenderly weaves both myth and memory. It’s a story about generational living written in the rhythms of oral retellings practiced by Zimbabwe’s Shona ethnic group, where the soundscape of a ngano (story)—its melodies, pauses, lifts and stops—creates a call-and-response interaction with the listener. The novel also pulls from literary stewards of Black Americana such as Toni Morrison and Zora Neale Hurston, shaping characters whose way of loving is inherited and channelled into the lands they inhabit, the people